This one just made itself. It's one of those silly tube scarves, pinched off and stuffed. This has kind of become the hat a week blog. Running out of Far Away hats. Not sure where I'll go next, if I do. Getting kind of busy in the fall.
Because the Blogosphere seemed a little empty... Actually because I don't (and don't want to) post to my first blog every day, but want to see if I can commit to something everyday. So here we go--
I think I said elsewhere--50 hats, one month, small budget--not all will be masterpieces. Real sponge, something decorative (I'm not sure what it's really used for), on hat. Reminds me of pictures of dunes and the fences that keep private beaches private. I''ve never been to the Cape and I've lived here 10 years.

I've been saving this one. This was the showpiece from "Far Away." The main character has to make it on stage and then it has to be in the parade, so there were four versions of this--three in various stages of development for her to work on and this one. It is, obviously, a top hat base, with three small handmade silk pillows stitched on top. The green fabric is patterned in leaves and I used it for the apron that her aunt wears in the first scene when she's a child. It's stiffened with iron on interfacing and the edge is cut to follow the shape of the leaves. This was a completely planned hat (see the early for designed vs. found), but when it was done I still felt it needed something. At the time I was working during the day as a visual merchandiser for a fabric store and I ran through the aisles looking for something to embellish it. The four points are knitting needles of translucent plastic in various gauges. The title comes from a certain style of ladies riding helmet (the top hat would have been lined in metal to protect during falls) that were worn with a sweep of netting tied round the band often creating the bell shape echoed above. Obviously one would like to fall on pillows and not knitting needles.
There's a word game sometimes called "First/Last" where you have the first word of a two word phrase and the second word of another two word phrase and you have to find the missing word that would fulfill both phrases--skunk cabbage/cabbage rose. I'm not actually sure what skunk cabbage looks like but this seemed appropriate, looking like I think it would smell (art is about impression). It's a yarn scarf from a craft store on a foam ring with a velvet flower on it. I'd almost forgotten this one, but I liked it a lot and I'm sorry I didn't save it.
I went back and forth on calling this one Army Dreamers after the Kate Bush song or Ammo and Glass. I did convince the sound designer to use Experiment IV as the ending music (credit music? exit music?) for the lines, "They told us/what they wanted/was a sound that could kill someone/from a distance/so we go ahead/and the metres are over in the red," thus getting in my Kate tribute. It's a plastic bowl, plant fronds (and fake fiddle heads--a creepy plant to me), glass stones and a bias strip cut from some other project. Again, a hard hat to wear in the show, but then so are real army helmets (wore one in a show, almost concussed myself every night). In the end the title is an homage to Wizard and Glass by Stephen King, part of the Dark Tower set. A glass helmet would be very foolish, yes? Sometimes though, on the right actor all I could think of was Arte Johnson in Laugh In, peering from around the bushes, "Vewy Intewesting." And that, ladies and gentlemen, is how my mind works.
Horrible I know but this is made of pig's ears that they sell in pet stores. I'm not sure who was lucky enough to wear it. I had to store it on a high shelf because my dog kept thinking it was for him (I don't feed him pig's ears regularly--he just knew). I knew I wanted something frighteningly organic for one of the hats and this was it.


Another play from Acts of Futility. The hat is on the table. Just a basic wide brimmed, short crowned hat covered in a heavy black cotton, hand sewn. I made the coats out of the same material. They were very Matrix like and the guys loved them. I had the worst time with the wigs. They were just cheap plastic Halloween wigs, and regular hair products did nothing. We wanted them to look stringy and unwashed. I ended up having to thin white glue and run it through clumps by hand. You can get a better look at the floor that my husband I hand painted as well. I really knocked myself out on this show.
This is a hat from Far Away that I actually designed before shopping. I drew it on a page. It's two top hat frames put together, the top one clipped to give it an angle, styrofoam half balls glued on and spray painted orange. I'd like to make this one out of real materials sometime--maybe actually steam wool and block it (hey, Red Queen, wanna help?). I love top hats. I've got designs for several in my head.
This is another found hat--a basic green felt, prob. 1960's-1970's. I'm not sure now why I bought it as I don't wear green. It had some sad green grosgrain on it which I removed and did not save. I then practiced my ribbon embroidery on it--purely random pattern. Then it still needed something else, so I runched wired ribbon and worked it along the band.
I love this hat. It was certainly the easiest to make. For Far Away, of course. Like I said, I was shopping this show around Christmas. I'm not sure what you were supposed to do with this--wreaths I think, but the nice part was that it was tied together with separate strings, like basket weaving, so that if you cut one the whole thing didn't come apart. I knew I kind of wanted to do a crown of thorns thing with it, but after I had cut a few strings and watched it spiral down I knew I should just stop. Put on an elastic hat strap and away we go. Actors actually fought to wear this, even though it actually pokes into the head. People are funny.
Thought it was about time to show a hat I really do wear. Self-portrait at work today--someday I'll get myself together and Photoshop my lovely office out of the picture, but not today. Once upon a time Pier 1 sold clothing. It was a very brief time, but during that moment I bought two straw hats. This is one. It's getting a little beat up because in winter I store it in a hat box which is just a little too small. I need to repair it in front. It has a big straw bow on the back. I really love this hat and it usually gets a lot of praise (except from people on the train--I think they think I'm going to bump into them with it.) The people in Shino Express--my favorite Sushi haunt--seemed alarmed by it too, so I held it. Shino is about the size of some people's bathrooms. I'm not kidding. It seats 6 at the bar and maybe a further 10 in seats if you don't mind bumping elbows. They remodeled and I think it became smaller. It's the best Sushi on Newbury St. in my opinion, maybe in the city, and everyone goes there. Express it isn't, at lunch at least. 20 minute wait. I usually place my order and run errands, like to the library and come back.
Musing's comment made me think of other hats I should profile.
This is plastic Christmas ornaments on a Styrofoam ring where I cut out a wedge (did I mention that Far Away went up between Christmas and New Year's? Good fun for the whole family--HA). I so wanted to make this hat--I could see it in my head, but unfortunately it proved too fragile and was never worn in the show. Despite massive amounts of various glues the plastic balls would just snap apart. It had to be held like glass which was just not possible in the rush backstage. It's called Laurels because it reminds me of the laurel leaf crowns that the Caeser's wore.
These were three hats (and coats) I did for an evening of Beckett plays called Acts of Futility. This part was called Come & Go. The women are Robin, Wendy and Susan, playing (not necessarily in order) Flo, Ru, and Vi. I knew I'd never find hats and coats that matched the way I wanted them to so I had to make them. My husband and I hand painted that floor as well.

Ok, so this is me in a hat I made for Far Away called Alien Landscape. This was for an interview in a Boston free "scene" magazine to promote the play. The interviewer is a local playwright. We didn't meet--he interviewed me on the phone and then later a photographer came to rehearsals. I added the tilt when scanning this. I've removed my name to avoid stalkers, although I've been working on an acting webpage for some time where I'll have my name and face, so I'm not sure why. I like this picture, though I would have loved to have seen the others he took.
I've also added a small shot of Alien Landscape from the top. It's a plastic platter on a bridal headpiece and the objects were in a bag of mixed potpourri--very organic and fun. I meant it to be worn at a rakish angle, but it often went through the parade flat on top of someone's head because it was easier to wear. Most people don't realize that those elaborate headdresses of show girls and Carmen Miranda are extremely heavy to counterbalance.
As a side note Blogspot was highlighting a page called A Dress a Day, so perhaps someday...


